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2024.03.16 - 2024.05.31

Creating Endlessly Warming Forever

Zhao Bandi
  • Date
    2024.3.16—2024.5.31
  • Site
    Taikang Art Museum
  • Address
    1-2F Taikang Art Museum, Building 1, Yard 16, Jinghui Street,Beijing Taikang Group Building

Organiser: Taikang Art Museum

Exhibition Works Supported by Taikang Insurance Group, AYE GALLERY, Simian Foundation

General Curator: Tang Xin

Artist: Zhao Bandi

Curator : Du Xiyun

Executive Curator: Dai Xiyun

Thanks to: Mr. Sha Ye, private collection, Ms. Wang Simian, StarGallery


 

Endless Creation and Warmth

Era and society have always set limitations that make us feel helpless. In the parallel world of art, we can imagine and create to the fullest. Even more amazingly, when talent and opportunities meet, art can change the real world.

During his 8 years in the art academy, Zhao Bandi mastered superb painting skills and was hailed as a painting genius at a young age. His paintings created from his college years to the early 1990s are still widely praised today. But due to his love for art and strong desire for creation, he resolutely gave up painting, a pity for us even today, and engaged in various fields.

Zhao’s works emerge endlessly to dazzle our eyes: installations of various materials, performance art that focuses on various issues, and some conceptual artworks of an unrestrained and vigorous style that still cannot be realized today. He has designed fashion dresses and made movies. Among the numerous clues, the series of public service advertisements displayed in Beijing subway stations in 1999 were revolutionary. They contain a wealth of content that everyone can openly accept. Most importantly, in China at that time, he was a unique contemporary artist in the public sphere, constantly promoting public service advertising. Zhao’s art world joins the real one here. He makes contemporary art and his own image public.

From then on, his imagination and creativity have flown down vigorously, and he continuously pushed art into the real world with fanatical actions, such as One Person’s Olympics in 2005. With strong intervention in reality, “creation” and “warmth” have been gradually integrated to be a clear main theme for him, such as the “Exchange Creativity for an Elderly Home” launched in 2010. The overall artwork “Zhao Bandi’s Hut” started in 2020 has now toured 11 cities at home and abroad. The warm hut allows people to open their minds and communicate sincerely, with touching and wonderful words and actions constantly emerging. Through communication, people could comfort each other, allowing the desire for beauty and kindness to grow and spread in the small space.

Warmth will go on with creation. When the artist’s strong creativity and warm emotions are combined, motivation and direction will supplement each other. Zhao continues to create with passion. This exhibition displays his selected works, including early paintings that made him famous at a young age, “fragmented paintings” carefully crafted in recent years, “Zhao Bandi’s Hut” for easy communication, and a cute giant panda that is pushing, tapping, holding, and carrying. It is warm and stubborn, full of vitality, and always open. It is a warm symbol of creativity, the artist Zhao Bandi, and every one of us.

 

Early Paintings: My Youth

Around the 1990s, Chinese society underwent a rapid transformation towards modernity and had tremendous changes in all aspects. Zhao Bandi cleverly transformed traditional academic skills to describe vivid contemporary life. These paintings are sensitive to changes at that time. In the overall atmosphere of ordinary life and numerous details, we see active expectations, longings, wildness, excitement, confusion, loss, sadness, courage, and strength in youth. At the same time, they subtly respond to classical art, Impressionism, and Fauvism in art history, with complex charm and ambiguous meanings. Superb skills, sensitivity to contemporaneity, and knowledge of traditional art are vividly and naturally integrated into these paintings, showcasing both contemporary avant-garde keen insights, traditional elegance, outstanding quality, and extraordinary beauty. With the meaningful composition without narrative, precise modeling, elegant tones, agile brushstrokes, etc., these paintings stood out at that time as soon as they were finished. Reappreciated thirty years later, they remain classic.

 

 

New Paintings: Fragments of Beauty

Thirty years have passed.

The world order is undergoing drastic changes, and artists are sensitive and adept at expressing themselves. Zhao Bandi’s views on the manners and morals of the time, as well as public feelings, have also undergone significant changes, and fragments of paintings have been created one after another.

 

These paintings are intentionally left with large blank spaces, allowing uniquely shaped fragments to float on the canvas. The shape, position, and area of the fragments are carefully arranged, which are as important as the images within. The people, objects, and events in the fragments are inspired by Zhao’s emotions in life. When junk information overflows, he affectionately records them in paintings.

 

Painting is the oldest medium of art, and each small branch has been occupied by masters. Zhao Bandi, who deeply loves painting, discovered a gap in the painting world filled with masters. He intentionally leaves blank spaces, which is different from the unfinished works of Western masters in the past and the blank spaces in traditional Chinese paintings.

 

In an era of upheaval, all things collapse and fall apart in the hands of fate. Time flies, and youth fades in an instant. In each “fragmented painting”, the painter’s love, intoxication, attachment, pity, sadness, and sorrow are warmly preserved. Compared with the monotonous “complete” paintings, “fragments” challenge lazy and rigid viewing habits and mediocre artistic interests, make perception more sensitive and open, and allow the audience to experience indescribable things, the most charming aspect of art.

 

 

Infinite Warmth: Zhao Bandi’s Hut

“Zhao Bandi’s Hut” consists of a bamboo shack, a bamboo leaf lawn, a hammock, and small paintings inside the shack. The hut is like a shelter on a deserted island in a flood where the artist spent the rest of his life, comforting himself and each visitor. People can rest in the hammock or sit around the lawn to chat. In the shack is Zhao’s privacy: small paintings he created based on inspirations, which are replaced frequently.

 

The simple and unique atmosphere of the hut helps visitors relax and open their closed minds for sincere communication and exchange, and most importantly, leads to wonders. The hut initiated in 2020, has visited 11 cities at home and abroad in four years: Shanghai, Wuhan, Nanjing, Xiamen, Shenyang, Shunde, Qingdao, Chengdu, Changzhou, Zhengzhou, and Moscow. Tens of thousands of people visited the hut, and many touching stories occurred. In sincere communication, the hut accommodates people’s inner feelings and hopes and gains more functions. Installations, paintings, performances, and videos are united here. Artists and others together form the “artwork”. Art and life overlap here.

 

This exhibition is generously supported by Mr Sha Ye, Ms Wang Simian, private collection, AYE GALLERY and Simian Foundation. During the exhibition period, Taikang Art Museum will curate a series of programs under the title “Zhao Bendi PLUS”. We sincerely invite influential individuals from various fields to join us in the “Hut”, sharing their visionary insights and inspirations. Our aim is to create a warm and inviting space where minds can dwell, fostering possibilities. We eagerly anticipate your presence in this enriching environment.

Other Information
  • About the Artist

    Zhao Bandi (b.1966, Beijing) is a renowned artist and pioneering figure of the Chinese avant-garde movement. Trained as a painter, his practice has evolved to include performance, photography, video, fashion, film, and social intervention.

    Zhao has been included in exhibitions and presented projects including:“Zhao Bandi’s Hut”(Shanghai, Wuhan, Nanjing, Xiamen, Shenyang, Shunde, Qingdao, Chengdu, Changzhou, Zhengzhou, Moscow… 2020 to present); “Life on Clouds · Panda Garden ”(Shanghai Fosun Foundation, Longfu Temple, Beijing 2021); “Museum Day Zhao Bandi’s Party at UCCA”(Beijing 2019); “Zhao Bandi’s party. Tribute to Han Xizai Dinner” (He Art Center Beijing 2018); “Donkey Ballet” party (Switzerland 2018); “Picnic at the Guggenheim” (New York, 2018); “Zhao Bandi: China Party” (UCCA, Beijing, 2017); “Art and China after 1989: Theater of the World” (Solomon R. Guggenheim Museum, New York, 2017); “Chopin Underwater” Culture Party (Sichuan, 2016); Zhao Bandi Panda Fashion Show (Palais de Tokyo, Paris, 2009; China International Fashion Week, Beijing, 2007); “One Man’s Olympics” Solo Performance (Bern, 2005); “Zhao Bandi: Uh-oh! Pandaman” (Manchester Art Gallery; Ikon Gallery, Birmingham; Plymouth City Museum & Gallery, 2004); 48th Venice Biennale (1999); 11th Sydney Biennale (1998); “Moonflight” (Hanmo Art Center, Beijing, 1994); “China Avantgarde” (Haus der Kulturen der Welt, Berlin; Modern Art Oxford; Kunsthal Rotterdam, and further venues, 1993-1994); and “A New Painting by Zhao Bandi” (CAFA Gallery, Beijing, 1992).

    From 1999 to 2004, Zhao Bandi’s public art projects featuring pandas appeared in metro stations, airports and streets of cities throughout China and abroad, including Beijing, Shanghai, Shenzhen, Milan, London, Manchester, Birmingham, Oslo, and Tokyo.

    From 2010 to 2013, his art and charity project “Trading Creativity for a Nursing Home” attracted over two million Chinese youth to submit their artworks, The revenue from which was used to establish a nursing home in Kaifeng county, Henan province, which currently houses 46 elderly adults.

    From 2013 To 2014, Let Panda Fly, a film Zhao directed based on his previous projects, was selected by the 29th Warsaw International Film Festival and many children’s film festivals, and enjoyed a wide theatrical release in China.

  • About the Curator

    Du Xiyun

     

    Born in 1978, graduated from the Department of Oil Painting, Shaanxi Normal University’s School of Fine Arts in 2000 with a Bachelor’s degree. Completed a Master’s degree in Art History from the Sichuan Fine Arts Institute in 2006. Held positions as Deputy Director at HOW Art Museum(Shanghai) and Deputy Director at Shanghai Himalayas Museum.

    Curated numerous exhibitions and projects, recent ones include: “Zhao Bandi’s Nut” (Shanghai, Wuhan, Nanjing, Xiamen, Shenyang, Shunde, Qingdao, Chengdu, Changzhou, Zhengzhou,Beijing… from 2020 to present); “Drift: Fostering Stars Project” at Wuhan Art Museum (Qintai Art Museum) in 2023; “Me & Beuys: Wang Guangyi” at HOW Museum(Shanghai) in 2021; “A Realistic Shocking Of The Virtual Authenticity: Shanghai’s First Global NFT Crypto Art Exhibition” at Tank 1, West Bund Art Park in Shanghai in 2021; “Me & Beuys: Yin Xiuzhen” at HOW Museum(Shanghai) in 2021; “Me & Beuys: Zhao Bandi’s Nut” at HOW Museum(Shanghai) in 2020; “Collaborative Construction” at Suzhou Jinji Lake Art Museum in 2020; “Me & Beuys: Yang Zhenzhong” at HOW Museum(Shanghai) in 2020; “Me & Beuys: Zhou Xiaohu” at HOW Museum(Shanghai) in 2019; “Shanghai Files: Uniform Motion” at Shanghai Himalayas Museum in 2019; “Montadas: Asian Protocols” at Three Shadows Photography Art Centre in 2018; “Yesterday’s Today: First Anren Biennale” in 2017; “Exposición: El futuro ya está aquí: frenesí musical de Madrid a Pekín” at Cervantes Institute in 2017; “Scarcity and Supply: 3rd Nanjing International Art Exhibition” at Baijia lake Art Museum in 2016; “Beijing 798 Genesis(2002-2006)” at Songzhuang Art Museum in 2016.

  • 语音导览

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    从左至右:早期绘画——我的青春、新的绘画——美的残片、无限温暖——赵半狄的小窝

Installation views

Selected works