2023.08.22 - 2024.01.12
Engaging with the World
- Duration22 Aug, 2023 - 12 Jan, 2024
- Opening hourTuesday - Sunday 10:00-17:30
- AddressTaikang Art Museum, 1-2F Taikang Art Museum, Building 1, Yard 16, Jinghui Street,Beijing Taikang Group Building
- ArtistsAi Zhongxin, Cai Guo-Qiang, Cao Fei, Chen Danqing, Chen Tianzhuo,Chen Yifei, Chen Yinpi(George Chann), Dai Ze, Ding Yi, Ding Zhengxian, Duan Pingyou, Fang Junbi(Fan Tchunpi), Fang Rending, Feng Fasi, Fu Luofei, Geng Jianyi, Guan Liang, Hu Shanyu, Hu Xiangqian, Huang Shaoqiang, Huang Yanghui, Jiang Zhaohe, Jin Shangyi, Anselm Kiefer, Leng Jun, Li Chaoshi, Li Hu, Li Shan, Li Zongjin, Lin Fengmian, Lin Ke, Liu Chuang, Liu Wei, Liu Wei, Liu Xiaodong, Ma Liuming, Ma Qiusha, Mao Yan, Meng Luding & Zhang Qun, Ni Yide, Nam June Paik, Pan Yuliang, Qiu Xiaofei, Gerhard Richter, Sha Qi, Shang Yang, Shen Yaoyi, Shi Chong, Su Tianci, Sun Shihao, Sun Zongwei, Tang Xiaoming, Wang Chengyi, Wang Guangle, Wang Guangyi, Wang Wenbin, Wang Xingwei, Wu Dayu, Wu Guanzhong, Wu Zuoren, Xiao Lu, Xin Yunpeng, Xu Bing, Xu Weixin, Xu Xingzhi, Yan Bing, Yan Pei-Ming, Yang Feiyun, Yao Qingmei, Yu Ben, Yu Youhan, Zeng Fanzhi, Zhang Miao, Zhang Peili, Zhang Qianying(Chang Chien-Ying), Zhang Shujian, Zhang Xiaogang, Zhao Bandi, Zhao Wuji(Zao Wou-Ki), Polit-Sheer-Form Office(PSFO) ,Zhou Tingxu(Chiu Teng-Hiok)
- CuratorTang Xin
- General OrganizerChen Donasheng
- General CoordinatorYing Weiwei
- OrganizerTaikang Art Museum
- Exhibition SupportTaikang Insurance Group
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The exhibition, which runs until 12th January, 2024, is drawn from the collection of the Taikang Insurance Group, and features a selection of 101 works, covering a century of history, in a range of media including painting, installation, photography and video. The exhibition charts the development of modern and contemporary Chinese art since the beginning of the 20th century, from two principal perspectives: ‘art and humans’ and ‘art and society’.
The exhibition focuses on modern and contemporary Chinese art’s distinctive nature of ‘engaging with the world’ throughout the 20th century, and explores the historical process in which artists and their works became increasingly closely connected to social reality. The exhibition’s theme, ‘Engaging with the World’, has its origins in two areas of exploration in the artistic creative process: the individual liberation of artists, and the close links between art, society and reality. Individual liberation refers to artists being freed of restraints in modern society, being able to freely express their own ideas and feelings, and pursue their individual artistic goals. The close ties between art, society and reality are evidenced by the way in which the artworks reflect social change, and people’s concerns for reality.
The exhibition takes a broad historical perspective: against the backdrop of both the wave of global expansion produced by western industrial civilization during the 19th century, and the transformation of Chinese society and reforms of the nation’s education system in the 20th century, it examines how artists — themselves representatives of the modern intellectuals of the era — responded to the changing times. An important section of the exhibition, entitled ‘Artists’, features some approximately 20 self-portraits or portraits of artists. Faced with the challenge of rampant western expansion, late Qing dynasty society introduced reforms of China’s domestic and foreign policy, including such important measures as the abolition of the civil service examination system in 1905, and the subsequent reforms of the education system, which led to a thoroughgoing transformation of society and culture. During the course of this century of societal change, alongside the evolution of artistic techniques and language, modern and contemporary Chinese artists also displayed a radical shift in consciousness and ideas. Through their unique creative techniques and language, they express their reflections on, and investigations of, the profound influence of society, culture, economics and the like, while also demonstrating a fundamental difference between their work and the creative approach of traditional literati artists.
The exhibition highlights the inherent motivation, innovation and evolution of Chinese art against the backdrop of the 20th century, and shows how artists explored the space between China’s indigenous tradition and western influence, giving rise to the diverse nature of modern and contemporary Chinese art. Furthermore, the exhibition presents the investigations of artists of different eras into issues including the portrait, the body, reality, life, lyricism, and the pioneering spirit. It breaks through the limitations of the traditional research methodology of separating artists into different eras, employing an interlinked display approach to bring home to the audience the sustained, profound reflection of successive generations of artists on the relationship between ‘art’, ‘humans’ and ‘society’.
As well as revealing a contrast with China’s thousands of years of artistic tradition, the works featured in the exhibition also reflect the influence of various international art movements and styles, during different periods, and demonstrate a wide range of creative techniques and media characteristics. Through in-depth research, the exhibition traces the history of modern and contemporary Chinese art, and presents the various stages of its development. At the same time, it also focuses on the profound integration and interaction between contemporary Chinese art and international art. The exhibition features a number of works by heavyweights of the international art world, including Gerhard Richter, Nam June Paik and Anselm Kiefer.
The Taikang Art Museum is dedicated to tracing back into the past, researching and displaying the art of the modern era, as well as contemporary art and the new art of the future. It emphasizes a historical approach to research, and focuses on the central role and cultural self-confidence of Chinese art amidst changing times. Its opening exhibition, ‘Engaging with the World’, tells the story of modern China through art, offering visitors a visual feast spanning a century.
Installation views
Selected works
RELATED COLLECTION
Xiao Lu
Dialogue
1989
Installation
Wu Zuoren
Female Body
1955
Oil on Canvas
Wu Zuoren
Extra Edition on the Liberation of Nanjing
1949
Oil on Canvas
Ding Zhengxian
Self-portrait
1945
Woodcut
Wu Guanzhong
Northern Landscape
1979
Oil on Canvas
Hu Shanyu
A Girl in Green Sweater
1944
Oil on canvas
Liu Chuang
Love Stories
2014
Installation
Yan Bing
Cotton Quilt
2009
Oxide, cotton and wooden case
Shang Yang
Dong Qichang Project No.5
2007
Mixed materials on canvas
Ma Qiusha
From No.4 Pingyuanli to No.4 Tianqiaobeili
2007
Single-channel video
Ma Liuming
Fen · Ma Liuming
1993
Performance photograph
Jin Shangyi
Portrait of an Entrepreneur
2015
Oil on canvas
Leng Jun
Portrait of Xiao Jiang
2011
Oil on canvas
Liu Wei
The Outcast No.7
2007
Oil on Canvas
Liu Wei
Self-portrait
1992
Oil on Canvas
Liu Chuang
Bitcoin Mining and Field Recordings of Ethnic Minorities
2018
3-channel video installation
Hu Xiangqian
Flying Blue Flag
2006
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Li Shan
Paradise
1997
Oil on canvas
Chen Yifei
Eulogy of the Yellow River
1972
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Meng Luding, Zhang Qun
In a New Era – The Revelation of Adam and Eve
1985
Oil on canvas
Liu Chuang
Buying Everything on You (Yang Xiaojuan)
2014
Installation
Cai Guo-Qiang
Earth Has Its Black Hole Too: Project for Extraterrestrials No.16
1994
Gunpowder on paper
Wang Guangle
Coffin Paint 070919
2007
Acrylic on canvas
Ding Yi
Appearance of Crosses 93-1
1993
Acrylic on canvas
Shi Chong
Gratified Young Man
1995
Oil on canvas
Yu Youhan
1985-4
1985
Acrylic on canvas
Wu Zuoren
The Yellow Blooms on the Battlefield Smell Sweeter
1977
Oil on canvas
Liu Xiaodong
The Roar
2021
Oil on Canvas
Chen Yinpi (George Chann)
Abstract
1950
Oil on Canvas
Mao Yan
Self Portrait
1989
Oil on canvas
Zhao Bandi
The Girl Peeling the Apple
1989
Oil on Canvas
Cao Fei
Asia One
2018
Single channel HD video (16:9 color sound)
Polit-Sheer-Form-Office
Mr Polit-Sheer-Form-Office
2007
Ultra Giclee
Nam June Paik
Rocketship to Virtual Venus
1991
Video installation
Zhao Wuji (Zao Wou-Ki)
5.12.61
1961
Oil on canvas
Qiu Xaiofei
Ophthalmic Examination
2009
Oil on Canvas
Zhang Peili
Backstroke Swimmer
1986
Oil on canvas
Lin Fengmian
Smelting
1950s-1960s
Framed picture, color ink on paper
Jin Shangyi
The Violinist
1979
Oil on canvas
Sha Qi
Self-Portrait (Youth)
1930s – 1940s
Oil on Canvas
Su Tianci
Spring Breeze, Multitude of Willow Trees
1960
Oil on canvas
Zhou Tingxu
Summer Island
Circa 1936
Oil on canvas
Jiang Zhaohe
From Now On, the Chinese People have Stood Up
1949
Ink and color on paper
Shen Yaoyi
Revolutionary Ideals Higher than the Sky
1976
Oil on canvas





















